After a mile or so of this memorable cliff work I approached Yosemite Creek, admiring its easy, graceful, confident gestures as it comes bravely forward in its narrow channel, singing the last of its mountain songs on its way to its fate—a few rods more over the shining granite, then down half a mile in showy foam to another world, to be lost in the Merced, where climate, vegetation, inhabitants, all are different. Emerging from its last gorge, it glides in wide lace-like rapids down a smooth incline into a pool where it seems to rest and compose its gray, agitated waters before taking the grand plunge, then slowly slipping over the lip of the pool basin, it descends another glossy slope with rapidly accelerated speed to the brink of the tremendous cliff, and with sublime, fateful confidence springs out free in the air.The smaller animals wander about as if in a tropical forest. I saw the entire flock of sheep vanish at one side of a patch and reappear a hundred yards farther on at the other, their[Pg 41] progress betrayed only by the jerking and trembling of the fronds; and strange to say very few of the stout woody stalks were broken. I sat a long time beneath the tallest fronds, and never enjoyed anything in the way of a bower of wild leaves more strangely impressive. Only spread a fern frond over a man’s head and worldly cares are cast out, and freedom and beauty and peace come in. The waving of a pine tree on the top of a mountain,—a magic wand in Nature’s hand,—every devout mountaineer knows its power; but the marvelous beauty value of what the Scotch call a breckan in a still dell, what poet has sung this? It would seem impossible that any one, however incrusted with care, could escape the Godful influence of these sacred fern forests. Yet this very day I saw a shepherd pass through one of the finest of them without betraying more feeling than his sheep. “What do you think of these grand ferns?” I asked. “Oh, they’re only d——d big brakes,” he replied.
June 12. A slight sprinkle of rain—large drops far apart, falling with hearty pat and plash on leaves and stones and into the mouths of the flowers. Cumuli rising to the eastward. How beautiful their pearly bosses! How well they harmonize with the upswelling rocks beneath them. Mountains of the sky, solid-looking, finely sculptured, their richly varied topography wonderfully defined. Never before have I seen clouds so substantial looking in form and texture. Nearly every day toward noon they rise with visible swelling motion as if new worlds were being created. And how fondly they brood and hover over the gardens and forests with their cooling shadows and[Pg 38] showers, keeping every petal and leaf in glad health and heart. One may fancy the clouds themselves are plants, springing up in the sky-fields at the call of the sun, growing in beauty until they reach their prime, scattering rain and hail like berries and seeds, then wilting and dying.July 28. No cloud mountains, only curly cirrus wisps scarce perceptible, and the want of thunder to strike the noon hour seems strange, as if the Sierra clock had stopped. Have been studying the magnifica fir—measured one near two hundred and forty feet high, the tallest I have yet seen. This species is the most symmetrical of all conifers, but though gigantic in size it seldom lives more than four or five hundred years. Most of the trees die[Pg 167] from the attacks of a fungus at the age of two or three centuries. This dry-rot fungus perhaps enters the trunk by way of the stumps of limbs broken off by the snow that loads the broad palmate branches. The younger specimens are marvels of symmetry, straight and erect as a plumb-line, their branches in regular level whorls of five mostly, each branch as exact in its divisions as a fern frond, and thickly covered by the leaves, making a rich plush over all the tree, excepting only the trunk and a small portion of the main limbs. The leaves turn upward, especially on the branchlets, and are stiff and sharp, pointed on all the upper portion of the tree. They remain on the tree about eight or ten years, and as the growth is rapid it is not rare to find the leaves still in place on the upper part of the axis where it is three to four inches in diameter, wide apart of course, and their spiral arrangement beautifully displayed. The leaf-scars are conspicuous for twenty years or more, but there is a good deal of variation in different trees as to the thickness and sharpness of the leaves.
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Only a few hills and domes of cloudland were built yesterday and none at all to-day. The light is peculiarly white and thin, though pleasantly warm. The serenity of this mountain weather in the spring, just when Nature’s pulses are beating highest, is one of its greatest charms. There is only a moderate breeze from the summits of the Range at night, and a slight breathing from the sea and the lowland hills and plains during the day, or stillness so complete no leaf stirs. The trees hereabouts have but little wind history to tell.
Carlo caught an unfortunate woodchuck when it was running from a grassy spot to its boulder-pile home—one of the hardiest of the mountain animals. I tried hard to save him, but in vain. After telling Carlo that he must be careful not to kill anything, I caught sight, for the first time, of the curious pika, or little chief hare, that cuts large quantities of lupines and other plants and lays them out to dry in the sun for hay, which it stores in underground barns to last through the long, snowy winter. Coming upon these plants freshly cut and lying in handfuls here and there on the rocks has a startling effect of busy life on the lonely mountain-top. These little haymakers,[Pg 155] endowed with brain stuff something like our own,—God up here looking after them,—what lessons they teach, how they widen our sympathy!
From beneath heavy throbbing blasts of spray the broken river is seen emerging in ragged boulder-chafed strips. These are speed[Pg 189]ily gathered into a roaring torrent, showing that the young river is still gloriously alive. On it goes, shouting, roaring, exulting in its strength, passes through a gorge with sublime display of energy, then suddenly expands on a gently inclined pavement, down which it rushes in thin sheets and folds of lace-work into a quiet pool,—“Emerald Pool,” as it is called,—a stopping-place, a period separating two grand sentences. Resting here long enough to part with its foam-bells and gray mixtures of air, it glides quietly to the verge of the Vernal precipice in a broad sheet and makes its new display in the Vernal Fall; then more rapids and rock tossings down the cañon, shaded by live oak, Douglas spruce, fir, maple, and dogwood. It receives the Illilouette tributary, and makes a long sweep out into the level, sun-filled valley to join the other streams which, like itself, have danced and sung their way down from snowy heights to form the main Merced—the river of Mercy. But of this there is no end, and life, when one thinks of it, is so short. Never mind, one day in the midst of these divine glories is well worth living and toiling and starving for.
Contemplating the lace-like fabric of streams outspread over the mountains, we are reminded that everything is flowing—going somewhere, animals and so-called lifeless rocks as well as water. Thus the snow flows fast or slow in grand beauty-making glaciers and avalanches; the air in majestic floods carrying minerals, plant leaves, seeds, spores, with streams of music and fragrance; water streams carrying rocks both in solution and in the form of mud particles, sand, pebbles, and boulders. Rocks flow from volcanoes like water from springs, and animals flock together and flow in currents modified by stepping, leaping, gliding, flying, swimming, etc. While the stars go streaming through space pulsed on and on forever like blood globules in Nature’s warm heart.