All the way up from the Big Meadows to the base of the Cathedral the ground is covered with moraine material, the left lateral moraine of the great glacier that must have completely filled this upper Tuolumne basin. Higher there are several small terminal moraines of residual glaciers shoved forward at right angles against the grand simple lateral of the main Tuolumne Glacier. A fine place to study mountain sculpture and soil making. The view from the Cathedral Spires is very fine and telling in every direction. Innumerable peaks, ridges, domes, meadows, lakes, and woods; the forests extending in long curving lines and broad fields wherever the glaciers have left soil for them to grow on, while the sides of the highest mountains show a straggling dwarf growth clinging to rifts in the rocks apparently independent of soil. The dark heath-like growth on the Cathedral roof I found to be dwarf snow-pressed albicaulis pine, about three or four feet high, but very old looking. Many of them are bearing cones, and the noisy Clarke crow is eating the seeds, using his long bill like a woodpecker in digging them out of the cones. A good many flowers are still in bloom about the base of the peak, and even on the roof among the little pines, especially a woody yellow-flowered eri[Pg 249]ogonum and a handsome aster. The body of the Cathedral is nearly square, and the roof slopes are wonderfully regular and symmetrical, the ridge trending northeast and southwest. This direction has apparently been determined by structure joints in the granite. The gable on the northeast end is magnificent in size and simplicity, and at its base there is a big snow-bank protected by the shadow of the building. The front is adorned with many pinnacles and a tall spire of curious workmanship. Here too the joints in the rock are seen to have played an important part in determining their forms and size and general arrangement. The Cathedral is said to be about eleven thousand feet above the sea, but the height of the building itself above the level of the ridge it stands on is about fifteen hundred feet. A mile or so to the westward there is a handsome lake, and the glacier-polished granite about it is shining so brightly it is not easy in some places to trace the line between the rock and water, both shining alike. Of this lake with its silvery basin and bits of meadow and groves I have a fine view from the spires; also of Lake Tenaya, Cloud’s Rest and the South Dome of Yosemite, Mount Starr King, Mount Hoffman, the Merced peaks, and the vast multitude of snowy fountain[Pg 250] peaks extending far north and south along the axis of the range. No feature, however, of all the noble landscape as seen from here seems more wonderful than the Cathedral itself, a temple displaying Nature’s best masonry and sermons in stones. How often I have gazed at it from the tops of hills and ridges, and through openings in the forests on my many short excursions, devoutly wondering, admiring, longing! This I may say is the first time I have been at church in California, led here at last, every door graciously opened for the poor lonely worshiper. In our best times everything turns into religion, all the world seems a church and the mountains altars. And lo, here at last in front of the Cathedral is blessed cassiope, ringing her thousands of sweet-toned bells, the sweetest church music I ever enjoyed. Listening, admiring, until late in the afternoon I compelled myself to hasten away eastward back of rough, sharp, spiry, splintery peaks, all of them granite like the Cathedral, sparkling with crystals—feldspar, quartz, hornblende, mica, tourmaline. Had a rather difficult walk and creep across an immense snow and ice cliff which gradually increased in steepness as I advanced until it was almost impassable. Slipped on a dangerous place, but managed to stop by digging my heels into[Pg 251] the thawing surface just on the brink of a yawning ice gulf. Camped beside a little pool and a group of crinkled dwarf pines; and as I sit by the fire trying to write notes the shallow pool seems fathomless with the infinite starry heavens in it, while the onlooking rocks and trees, tiny shrubs and daisies and sedges, brought forward in the fire-glow, seem full of thought as if about to speak aloud and tell all their wild stories. A marvelously impressive meeting in which every one has something worth while to tell. And beyond the fire-beams out in the solemn darkness, how impressive is the music of a choir of rills singing their way down from the snow to the river! And when we call to mind that thousands of these rejoicing rills are assembled in each one of the main streams, we wonder the less that our Sierra rivers are songful all the way to the sea.From the top of the divide, and also from the big Tuolumne Meadows, the wonderful mountain called Cathedral Peak is in sight. From every point of view it shows marked individuality. It is a majestic temple of one stone, hewn from the living rock, and adorned with spires and pinnacles in regular cathedral style. The dwarf pines on the roof look like mosses. I hope some time to climb to it to say my prayers and hear the stone sermons.
There is also a fine, active, intelligent-looking red species, intermediate in size between the above. They dwell in the ground, and build large piles of seed husks, leaves, straw, etc., over their nests. Their food seems to be mostly insects and plant leaves, seeds and sap. How many mouths Nature has to fill, how[Pg 47] many neighbors we have, how little we know about them, and how seldom we get in each other’s way! Then to think of the infinite numbers of smaller fellow mortals, invisibly small, compared with which the smallest ants are as mastodons.
Most of the sandy gardens on moraines are in prime beauty like the meadows, though some on the north sides of rocks and beneath groves of sapling pines have not yet bloomed. On sunny sheets of crystal soil along the slopes of the Hoffman Mountains, I saw extensive patches of ivesia and purple gilia with scarce a green leaf, making fine clouds of color. Ribes bushes, vaccinium, and kalmia, now in flower, make beautiful rugs and borders along the[Pg 161] banks of the streams. Shaggy beds of dwarf oak (Quercus chrysolepis, var. vaccinifolia) over which one may walk are common on rocky moraines, yet this is the same species as the large live oak seen near Brown’s Flat. The most beautiful of the shrubs is the purple-flowered bryanthus, here making glorious carpets at an elevation of nine thousand feet.At Crane Flat we climbed a thousand feet or more in a distance of about two miles, the forest growing more dense and the silvery magnifica fir forming a still greater portion of the whole. Crane Flat is a meadow with a wide sandy border lying on the top of the divide. It is often visited by blue cranes to rest and feed on their long journeys, hence the name. It is about half a mile long, draining into the Merced, sedgy in the middle, with a margin bright with lilies, columbines, lark[Pg 93]spurs, lupines, castilleia, then an outer zone of dry, gently sloping ground starred with a multitude of small flowers,—eunanus, mimulus, gilia, with rosettes of spraguea, and tufts of several species of eriogonum and the brilliant zauschneria. The noble forest wall about it is made up of the two silver firs and the yellow and sugar pines, which here seem to reach their highest pitch of beauty and grandeur; for the elevation, six thousand feet or a little more, is not too great for the sugar and yellow pines or too low for the magnifica fir, while the concolor seems to find this elevation the best possible. About a mile from the north end of the flat there is a grove of Sequoia gigantea, the king of all the conifers. Furthermore, the Douglas spruce (Pseudotsuga Douglasii) and Libocedrus decurrens, and a few two-leaved pines, occur here and there, forming a small part of the forest. Three pines, two silver firs, one Douglas spruce, one sequoia,—all of them, except the two-leaved pine, colossal trees,—are found here together, an assemblage of conifers unrivaled on the globe.
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June 18. Another inspiring morning, noth[Pg 58]ing better in any world can be conceived. No description of Heaven that I have ever heard or read of seems half so fine. At noon the clouds occupied about .05 of the sky, white filmy touches drawn delicately on the azure.
August 14. Up to the time I went to bed[Pg 211] last night all was quiet, though we expected the shaggy freebooters every minute. They did not come till near midnight, when a pair walked boldly to the corral between two of the great fires, climbed in, killed two sheep and smothered ten, while the frightened watcher in the tree did not fire a single shot, saying that he was afraid he might kill some of the sheep, for the bears got into the corral before he got a good clear view of them. I told the shepherds they should at once move the flock to another camp. “Oh, no use, no use,” they lamented; “where we go, the bears go too. See my poor dead sheeps—soon all dead. No use try another camp. We go down to the plains.” And as I afterwards learned, they were driven out of the mountains a month before the usual time. Were bears much more numerous and destructive, the sheep would be kept away altogether.
How interesting to trace the history of a single raindrop! It is not long, geologically speaking, as we have seen, since the first raindrops fell on the newborn leafless Sierra land[Pg 126]scapes. How different the lot of these falling now! Happy the showers that fall on so fair a wilderness,—scarce a single drop can fail to find a beautiful spot,—on the tops of the peaks, on the shining glacier pavements, on the great smooth domes, on forests and gardens and brushy moraines, plashing, glinting, pattering, laving. Some go to the high snowy fountains to swell their well-saved stores; some into the lakes, washing the mountain windows, patting their smooth glassy levels, making dimples and bubbles and spray; some into the waterfalls and cascades, as if eager to join in their dance and song and beat their foam yet finer; good luck and good work for the happy mountain raindrops, each one of them a high waterfall in itself, descending from the cliffs and hollows of the clouds to the cliffs and hollows of the rocks, out of the sky-thunder into the thunder of the falling rivers. Some, falling on meadows and bogs, creep silently out of sight to the grass roots, hiding softly as in a nest, slipping, oozing hither, thither, seeking and finding their appointed work. Some, descending through the spires of the woods, sift spray through the shining needles, whispering peace and good cheer to each one of them. Some drops with happy aim glint on the sides of crystals,—quartz, hornblende, garnet, zir[Pg 127]con, tourmaline, feldspar,—patter on grains of gold and heavy way-worn nuggets; some, with blunt plap-plap and low bass drumming, fall on the broad leaves of veratrum, saxifrage, cypripedium. Some happy drops fall straight into the cups of flowers, kissing the lips of lilies. How far they have to go, how many cups to fill, great and small, cells too small to be seen, cups holding half a drop as well as lake basins between the hills, each replenished with equal care, every drop in all the blessed throng a silvery newborn star with lake and river, garden and grove, valley and mountain, all that the landscape holds reflected in its crystal depths, God’s messenger, angel of love sent on its way with majesty and pomp and display of power that make man’s greatest shows ridiculous.
Sketching on the North Dome. It commands views of nearly all the valley besides a few of the high mountains. I would fain draw everything in sight—rock, tree, and leaf. But little can I do beyond mere outlines,—marks with meanings like words, readable only to myself,—yet I sharpen my pencils and work on as if others might possibly be benefited. Whether these picture-sheets are to vanish like fallen leaves or go to friends like letters, matters not much; for little can they tell to those who have not themselves seen similar wildness, and like a language have learned it. No pain here, no dull empty hours, no fear of the past, no fear of the future. These blessed mountains are so compactly filled with God’s beauty, no petty personal hope or experience has room to be. Drinking this champagne water is pure pleasure, so is breathing the living air, and every movement of limbs is pleasure, while the whole body seems to feel beauty when exposed to it as it feels the camp-fire or sunshine, entering not by the eyes alone, but equally through all one’s flesh like radiant heat, making a passionate ecstatic pleasure-glow not explainable. One’s body then seems homogeneous throughout, sound as a crystal.[Pg 132] Perched like a fly on this Yosemite dome, I gaze and sketch and bask, oftentimes settling down into dumb admiration without definite hope of ever learning much, yet with the longing, unresting effort that lies at the door of hope, humbly prostrate before the vast display of God’s power, and eager to offer self-denial and renunciation with eternal toil to learn any lesson in the divine manuscript.
Most of the sandy gardens on moraines are in prime beauty like the meadows, though some on the north sides of rocks and beneath groves of sapling pines have not yet bloomed. On sunny sheets of crystal soil along the slopes of the Hoffman Mountains, I saw extensive patches of ivesia and purple gilia with scarce a green leaf, making fine clouds of color. Ribes bushes, vaccinium, and kalmia, now in flower, make beautiful rugs and borders along the[Pg 161] banks of the streams. Shaggy beds of dwarf oak (Quercus chrysolepis, var. vaccinifolia) over which one may walk are common on rocky moraines, yet this is the same species as the large live oak seen near Brown’s Flat. The most beautiful of the shrubs is the purple-flowered bryanthus, here making glorious carpets at an elevation of nine thousand feet.